F i o n a R o b e r t s
Owner of artwear fashion label http://www.streborclothing.com
Master of Teaching, University of South Australia
Bachelor of Visual Art (Honours), Adelaide Central School of Art.
2018 Façade, Adelaide Central Gallery, Adelaide.
2015 Intimate Vestiges, Format Collective, Adelaide.
2015 Intimate Vestiges, KickArts Contemporary Arts, Cairns.
Selected Group Exhibitions
2018 Pure Not Proper, Los Angeles
2017 Morbid Curiosities, Peanut Gallery, Adelaide.
2016 Little Boxes, Adelaide Town Hall.
2015 TAKE!EAT! London.
2015 Three Views, Framed Gallery, Darwin.
2014 Waterhouse Natural Science Art Prize, South Australian Museum.
2014 Gematria, Adelaide Central Gallery.
2014 A Book Between Two Stools, Boghossian Foundation, Brussels
2012 The Beginning of The End, Format Gallery, Adelaide.
2012 Tough Love, Australian Experimental Art Foundation (AEAF), Adelaide.
2012 The Helpmann Academy Graduate Exhibition, Drill Hall, Adelaide.
2011 Emergence, Adelaide Central Gallery.
2018 BankSA Best Visual Art and Design Award, The Adelaide Fringe Festival.
2017 Arts project for Individuals and Groups grant, Australian Council for the Arts
2013 New Work Early Career Grant, Australian Council for the Arts
2012 Peoples’ Choice Award, The Helpmann Academy Graduation Exhibition
2012 The Hill Smith Gallery/Helpmann Academy Friends Travel Award.
2009 One year scholarship, Adelaide Central School of Art.
2004 Peoples’ Choice Award, Exit Art, Northern Territory Museum and Art Gallery
2018 Dark and Fetish Art, PIE International, Japan (p. 350-357)
2018 Neylon J, Curiouser and Curiouser, The Adelaide Review #455
2017 Hey! Modern Art and Pop Culture Magazine, France
2016 We The People, Satellite Journal, New York
2016 Dark Inspirations II, Victionary, Hong Kong (Foreword p.6-7; artwork p.196-201)
2016 Textiel Plus, Netherlands
2015 Waters S, ‘Fiona Roberts – check out’, BL!SS magazine, California
2013 Lyall S, The Beginning Of The End, Artlink, Vol.33, No.1 (p.88)
2012 Sex + Design, RED, Volume 2, San Francisco
2012 Panorama Architectural Newspaper, ‘Eyeball Chair’, (p.3)
2012 Scopophilia, The Big Issue Taiwan, October. (p.68)
2012 EziBang, (Chinese E-journal) September.
2012 Sanders C, The eyes have it, The Adelaide Review #385 (Mar)
2012 Nunn L, ‘Beauty is in the eyes of the upholsterer’, Adelaide Advertiser (Mar)
2011 Emergence, 2011 Bachelor of Visual Art Graduate Exhibition catalogue
Adelaide Central School of Art