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The Beginning of The End presents the work of two artists, Claire Marsh and Fiona Roberts, working within the field of sculpture. Both Marsh and Roberts produce works that question states of the body; transience, fragility and metamorphosis. Within this exhibition they will be questioning how the body reacts to trauma, and to the anxiety
of the possible end. Through processes of visual and physical mutations, Marsh talks about what she calls “the silent, the creaturely and the horror of the self.” Roberts’ work responds to change, decay and regeneration both physical and mental, often referencing the cyclical force of nature.

Supported by the Helpmann Academy